Search results for "Zinc white"
showing 5 items of 5 documents
Statistical Approximation of Fourier Transform-IR Spectroscopy Data for Zinc White Pigment from Twentieth-Century Russian Paintings
2017
We present a statistical model for approximation of experimental Fourier transform-IR spectroscopy (FTIR) data for paint samples from paintings of different ages. The model utilizes random variations in some parameters (initial ageing rate, degree of change in ageing rate and time at which the change occurs). We determine the parameters characterizing variation in the paint composition and the storage conditions for the paintings. The numerical calculation is qualitatively consistent with the experimental data. In the proposed model, changes in the initial composition of the paint and the storage conditions make about the same contribution to the experimentally observed scatter in the data …
Fourier Transform Infrared (FT-IR) Microspectroscopy of 20th Century Russian Oil Paintings: Problem of Dating
2015
Analysis of the IR spectra of samples from 230 Russian oil paintings of the 20th century is used to propose a procedure for the threshold estimation of the age of paintings based on measured parameters (intensity ratios of spectral bands). The bands of compounds that are formed upon interaction of pigment (zinc white) with oil are used for dating.
Joaquin Sorolla's pigment characterisation of the paintings ‘Vision of Spain’ by means of EDXRF portable system
2011
In this work, portable energy dispersive X-ray fluorescence (EDXRF) spectrometry was employed to the characterisation of the palette used by the Spanish artist Joaquin Sorolla (1863–1923) in the paintings ‘Vision of Spain’, a set of 14 oils on canvas painted by Sorolla between 1911 and 1919 by order of Mr Archer Huntington to decorate the library of the Hispanic Society of America (HSA) in New York. The analyses, sponsored by BANCAJA and provided by the HSA, were carried out in situ, prior to the cleaning and restoration process, while the paintings hanging on the walls of the library of the HSA. The results revealed that the paintings were made over different priming layers containing, res…
Characterization of Sorolla's gouache pigments by means of spectroscopic techniques
2016
Abstract This paper presents the characterization of the Joaquin Sorolla's gouache sketches for the oil on canvas series “Vision of Spain” commissioned by A. M. Huntington to decorate the library of the Hispanic Society of America in New York. The analyses were focused on the identification of the elemental composition of the gouache pigments by means of portable EDXRF spectrometry in a non-destructive mode. Additionally, SEM-EDX and FTIR analyses of a selected set of micro-samples were carried out to identify completely the pigments, the paint technique and the binding media. The obtained results have confirmed the identification of lead and zinc white, vermillion, earth pigments, ochre, z…
Investigation of modern oil paints through a physico-chemical integrated approach. Emblematic cases from Valencia, Spain
2020
Abstract The study and the characterisation of modern and contemporary oil paintings is still a challenging issue, in particular considering the significant changes in paint production across the 19th and 20th centuries. This paper presents the results of the first physico-chemical integrated study of the artistic materials used in six paintings from the School of Art and Higher Design of Valencia (Escola d'Art i Superior de Disseny, EASD-Valencia), artworks created between 1871 and 1943 by four famous Valencian artists: Salustiano Asenso Arozarena, Salvador Abril I Blasco, Enrique Navas Escuriet and Jose Bellver Delmas. A wide range of inorganic and organic compounds was identified through…